欢是门派中最后一位画心师，顾泽是她最新一位接待的客人，这个有钱的主儿愿意出高价请任欢画出他女朋友裴聂儿的心思，从而得知她分手的原因。但是两人苦苦寻觅却不得裴聂儿的去处。就在无意中遇到裴聂儿之后，任欢要求顾泽签订”画心”的协议，即顾泽要以忘掉对裴聂儿所有的爱作为代价才能得到分手的原因，无奈之下，顾泽签订了协议。终于在任欢的安排下，顾泽和心爱的裴聂儿见面了，才知道裴聂儿是因为命不久矣才和自己分手，并且用自己三年的寿命换来顾泽的遗忘。只因为裴聂儿不想让自己爱的人，生活在悲伤之中。裴聂儿死在了顾泽的怀里，而任欢答应了裴聂儿留在顾泽身边，以偿还她给自己的三年光阴I was far away from the tank, so I didn't let the tank appear in my field of vision. I died after a while. Of course, it was AI tank... This kind of situation often happens in the tank arena, and there are official maps, but the official maps are not easy to trigger.前面，幽深黑暗的通道不知通向哪里。你还可以有孩子。BOT is the abbreviation of Build-Operate-Transfer, which is usually literally translated as "Build-Operate-Transfer". BOT is essentially a way to invest, build and operate infrastructure. On the premise of reaching an agreement between the government and private institutions, the government issues a concession to private institutions to allow them to raise funds to build a certain infrastructure and manage and operate the facility and its corresponding products and services within a certain period of time. The Government may limit the quantity and price of public goods or services provided by the Agency, but ensure that private capital has the opportunity to make profits. The risks in the whole process are shared by the Government and private institutions. When the concession period ends, the private organization will transfer the facility to the government department as agreed, and the facility will be operated and managed by the government designated department. Therefore, the word BOT is paraphrased as "infrastructure concession.The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
