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Let's understand such a problem first, If our front-end development needs are the needs given to us by the demand side, It is possible that a front-end developer will deal with multiple demanders, Therefore, it will keep in touch with multiple demand parties. Then in the program it means keeping references to multiple objects, The larger the program, There will be more and more objects, The relationship between them will become more and more complicated. Now if there is an intermediary (if it is our supervisor) to meet the needs of multiple demanders, Then the demander only needs to give all the requirements to our supervisor, who will assign tasks to us according to our workload in turn. In this way, our front-end development does not need to contact with multiple business parties, we only need to contact our supervisor (i.e. Intermediary), which weakens the coupling between objects.以陈国庆70年的经历为背景，以改革开放后创业经历为主线，讲述了随新中国成长的那一代企业家和时代交融变迁的故事。主人公经历了新中国成立，知青下乡，国营计划经济，改革开放，下岗潮，创业潮，转型升级以及品质商城的建立。陈国庆的企业家精神就是知青下乡时从农民身上学来的不怕吃苦和艰苦奋斗。而后又从国营厂里面开始学习各种专业技能，为以后的创业打下了扎实的基础，之后又下海创业再到后来转型升级，最终研发出了自己的专利。故事借助陈国庆这个人物，在反映当代企业家精神面貌的同时，也反映了新中国70年的历史变迁。故事也集中反映了我们中国这一代企业家独具特色的企业家精神由来，发展和变化，表达了独具中国特色的的工匠精神。Independent Impact:该剧是一部反映现实生活的伤感戏，剧情以蓝梦歌厅老板惠洁(原知青)与从乡下进城逃债的陈子祥(原知青办主任)之间的文革旧事为线索展开情节。蓝梦歌厅经理惠洁过去曾是知青，当年曾被人强暴的她内心深处有极大的创伤。多年后，时代变革改变了她的外表，她经营有方，事业大成，名声斐然。正待她走出精神创伤，即将与一手培养的男歌星罗刚结婚时，陈子祥带着他与惠洁的私生女杨玲意外地创进了她的生活祥以杨玲为筹码向惠洁骗钱，而罗刚则迷上了杨玲告吹，陈子祥异想天开地想与惠洁重温旧梦，进而纠缠不休，罗刚携杨玲出走，他的毁约使惠洁的歌厅损失巨大。私生女的曝光，歌厅的倒闭，摧垮了惠洁的感情支柱，她终于选择了与陈子祥同归于尽的道路。到第三关的时候，不等红椒先出手，那靖军居然主动出击，拦住她厮杀起来，看得众人傻眼——这是个什么状况？原来，小葱给守关靖军规定的任务是拦截，还不能尽全力。